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Despite being the best act in the contest, the girls not only do not win, but are told to leave. Dave recognizes their talent and discovers that the troops need singers for Vietnam.
Soon, Dave goes to make a call and he says they have been granted a spot to audition in Melbourne. Back at their place, Gail, Cynthia and Julie's mother tells him he can take them but without Julie, until Julie's father tells him not to worry about her.
Advised by their grandmother, they meet up with their cousin Kay, who had been living in Melbourne for 10 years after the government took her from her family as part of the Stolen Generations , because she was half white.
She rejects the offer of joining them, but later changes her mind and meets up at their uncle's place. Despite that, they manage to audition very well and Kay comes up with the group's name, The Sapphires, after looking at Cynthia's engagement ring.
The Sapphires are a success with the crowds, but infighting among the women threatens to tear the group apart: Gail acts as the group's aggressive matriarch.
Kay struggles with her multi-ethnic identity because 10 years earlier she was taken away from the family by the Government, along with thousands of other fairer-skinned Aboriginal children and sent to live in institutions where they were to be raised 'white'.
Julie proves to be the group's best voice with a shot at a singing career. Dave and Gail begin a romance, but his reckless behaviour and a personal secret push Gail's patience to the limit.
When The Sapphires do another gig, Cynthia drinks with some of the men and is not allowed to go on again. Later, Dave and Gail talk a little before Dave hands her a letter, telling her to open it later and are about to kiss when they are caught in the crossfire of war; Dave disappears in the chaos and gets shot.
The girls manage to escape in a helicopter. At home, Gail reads Dave's letter and realizes he wanted to propose to her, but it was her choice.
The women band together and finish their tour. Dave survives and Gail is reunited with him in a Vietnam hospital. The Sapphires return to Australia and Gail and Dave announce to the family that they plan to marry.
The Sapphires give a joyous performance for their friends and family in the yard of their home. There had been an all-female Australian Aboriginal singing group named The Sapphires in the s, although originally there were three of them: Laurel Robinson the mother of screenwriter Tony Briggs , Beverly Briggs, and Naomi Mayers.
They performed at hotels, pubs, cabarets, clubs, parties, army barracks and universities around Melbourne. Based on Tony Briggs ' play of the same name commissioned by and debuted at Melbourne Theatre Company , the film was first announced in June On 2 June , a press release announced that an open casting call had begun for The Sapphires , and that Goalpost Pictures Australia were searching for "four young Indigenous women, aged 16—28, to play the leading roles of the four members of [the title singing group]".
The original soundtrack was released on 27 July by Sony Music. The film had its world premiere on 19 May at the Cannes Film Festival , at the midnight out-of-competition screening.
The artwork placed actor Chris O'Dowd prominently in the foreground, with the four female stars appearing in the background and coloured with a blue wash.
The decision was described as both sexist and racist, with O'Dowd describing the decision as "ill-judged, insensitive and everything the film wasn't".
In France, the film opened at 13 with just 35, admissions from screens over its first week 25, over five days.
The Sapphires received positive reviews from Cannes, dubbed as the Australian version of Dreamgirls , another film based on a play about a '60s girl group.
Henry Barnes of The Guardian gave the film three stars out of five, calling it "a sweet 'n' dumb feelgood bopper.
Robbie Collin of The Daily Telegraph gave the "workaday Australian comedy" three stars, calling it "uncomplicated" but praising Chris O'Dowd for elevating every scene he is in.
Fiona Williams of SBS awarded the film three-and-a-half stars out of five, commenting that "There's much to love, lots to like Academic Bruno Starrs makes the argument that the film's Aboriginal protagonists undergo a journey in which they learn the importance of choosing the protest songs of black Soul over the white coloniser's "whining" Country and Western songs.
Their song choices are an assertion of Indigenous sovereignty and Starrs argues that the Aboriginal Australian 'Welcome to Country' is twice subverted to reinforce this theme, firstly in the Cummeragunja pub and secondly in war-torn Vietnam.
From Wikipedia, the free encyclopedia. Theatrical release poster. Goalpost Pictures. British Board of Film Classification. Retrieved 24 February Sydney Morning Herald.
Fairfax Media. Retrieved 13 August Box Office Mojo. Archived from the original on 22 March National Geographic.
Archived from the original on 6 April Retrieved 10 April Archived from the original on 24 March Chicago Tribune.
Parliament of New South Wales. Government of New South Wales. Retrieved 28 April The Daily Telegraph. News Corporation.
Goalpost Pictures Australia Pty Ltd. Inside Film. Creative Spirits. Jens Korff. Kemp 28 November Northern Territory News. News Limited.
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